TREE Y
Georg Vogel: Klavier / piano / Glaviia
Andreas Waelti: Kontrabass / double bass / Konnddraboss
Michael Prowaznik: Schlagzeug / drumset / Dsaegl
01 SOFT - Georg Vogel
02 LIALL - Georg Vogel
03 FORTY-TWO - Andreas Waelti
04 345 CYPHER - Andreas Waelti
05 Y - Andreas Waelti
06 BREEZE - Michael Prowaznik
07 PFLASTER - Georg Vogel
08 CRIPPLE - Andreas Waelti
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TREE Between a Rock and a Hard Place
Georg Vogel: Klavier / piano / Glaviia
Andreas Waelti: Kontrabass / double bass / Konnddraboss
Michael Prowaznik: Schlagzeug / drumset / Dsaegl
01 DHAU - Georg Vogel
02 F.B. - Georg Vogel
03 NYPPVT - Andreas Waelti
04 Hannes - Georg Vogel
05 Between a Rock and a Hard Place - Andreas Waelti
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LIVE // LAEF:
1. 10. 2022 TREE
Georg Vogel: Klavier, piano, Glaviia
Andreas Waelti: Kontrabass, bass, Boss
Michael Prowaznik: Schlagzeug, Dsaegl Mürz Mürzzuschlag
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11. 5. 2022 TREE
Georg Vogel: Klavier, piano, Glaviia
Andreas Waelti: Kontrabass, bass, Boss
Michael Prowaznik: Schlagzeug, Dsaegl Radiokulturhaus Wien
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11. 8. 2021 TREE
Georg Vogel: Klavier, piano, Glawiia
Andreas Waelti: Kontrabass, bass
Michael Prowaznik: Schlagzeug, Dsaegl
Opus Budapest
20:30 Uhr, 8:30 PM, Hoeva Naene
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13. 5. 2021 TREE
Georg Vogel: Klavier, piano, Glawiia
Andreas Waelti: Kontrabass, bass
Michael Prowaznik: Schlagzeug, Dsaegl
Opus Budapest
20:30 Uhr, 8:30 PM, Hoewa Naene
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12. 5. 2021 TREE
Georg Vogel: Klavier, piano, Glawiia
Andreas Waelti: Kontrabass, bass
Michael Prowaznik: Schlagzeug, Dsaegl
Jeunesse im Porgy & Bess Wien
20:30 Uhr, 8:30 PM, Hoewa Naene
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live @ Porgy & Bess
Kick Jazz Festival 2020
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Album Release 2019: Between a Rock and a Hard Place
Andreas Waelti: Kontrabass // double bass // Konnddraboss
Michael Prowaznik: Schlagzeug // drumset // Dsaegl
live @ Porgy & Bess 2020
Ö1-Radiosession (2019)
ALBUM Between a Rock and a Hard Place (2019)
Dhau - Georg Vogel, Kamera: Severin Koller, Ton: Fabian Rucker
c Severin Koller
In films, time and place are used to ground a story in a particular atmosphere, to give it emotional background – but they reveal little about the story itself, about its meaning or eventual resolution. The compositions of the Vienna-based ensemble Tree serve a similar purpose: they provide a setting, but it is during the process of improvisation and interaction that they truly unfold into living, breathing stories.
Georg Vogel, Andreas Waelti and Michael Prowaznik play jazz in all its various forms, devoting themselves to the interplay of conceptual and intuitive ideas, elaborating or contrasting them in the course of their improvisation. The trio’s approach is refreshingly undogmatic: anachronisms are cleverly updated, liberated, and merged with the modern to form new hybrids. «Tree» works as a unit in the best sense of the word, showing conclusively that even in postmodern times, music can retain a special vitality.